A foreboding silouhette somewhere out there, the precluding type of a huge crawling snake appears to be an outlandish sight as it seems, by all accounts, to be rising up out of the Loire stream and advancing back to land. The state of its spine echoes the bend of the Saint-Nazaire connect at the tip of the Nez de Chien fortification, close to Nantes, at point where the waterway meets the sea.
Chinese artist Huang Yong Ping's astounding metal skeleton of a gigantic ocean snake estimates 425 feet (130 meters) long, as announced by This Colossal. On the Nantes Tourisme site: By having a significant figure from Chinese folklore show up on European shores, Huang Yong Ping analyzes, the ideas of character and social hybridity, as is regularly the situation in his work. The natural inquiry is likewise present in his craft where he consistently uncovered the oddity of the man sawing the branch he is perched on, conflicted between inventive capacities and dangerous driving forces. This is one of the numerous potential understandings of this work: put on the sea shore, the skeleton shows up with the tide and, gradually, will be home to marine fauna and greenery.
It is called Serpent d'Océan, but is not the skeleton of an animal that actually existed, in fact it's a sculpture located in Saint-Brévin-les-Pins, near Nantes, in correspondence with the estuary of the Loire river. The author is the artist Huang Yong Ping, of Chinese origins and French national, who used the traditional iconography of China's mythological dragons to design the approximately 130-meters-long art monster. The artist completed the work in 2012, when was unveiled as part of the Estuaire art exhibition which invites international artists to create large-scale works using the environment surrounding the Loire River between Nantes to Saint-Nazaire.
The skeleton is made of aluminum and is continuously covered and discovered by the tide, as if it were a paleontological remnant that appears and disappears on the basis of natural cycles. The beast is posed in slithering movement despite being nothing more than bones, giving an unsettlingly lifelike quality. The curve of the backbone of the snake follows the shape of the nearby bridge of Saint Nazaire, harmonizing the insertion of the creature with the surrounding environment.
Despite being an immobile skeleton, the "Serpent d'Océan" conveys a pure sense of movement, in fact the term tail with a thin appendage seems to push the animal towards the water's edge, and the variation of the level of the tides make the work of art illusorily "alive". The work, thanks to its size, is visible also on the Google Maps satellites.
The message behind this opera it's probably one of environmental nostalgia, as though man's mistreatment of the oceans is killing not only its life, but its very wonder and fantasy. A curiosity? Despite the 130 meters of the sculpture are very impressive, in 2016 Yong Ping overcame, creating a 240-meter snake, now at the Grand Palais in Paris.